{"id":36,"date":"2022-10-21T11:45:19","date_gmt":"2022-10-21T11:45:19","guid":{"rendered":"https:\/\/revistacomba.porrassoriano.com\/?p=36"},"modified":"2022-11-07T18:08:20","modified_gmt":"2022-11-07T18:08:20","slug":"comba-00","status":"publish","type":"post","link":"https:\/\/revistacomba.org\/?p=36","title":{"rendered":"COMBA#00: Conjunto de campos"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-930feb06 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-group alignwide is-nowrap is-layout-flex wp-container-core-group-is-layout-930feb06 wp-block-group-is-layout-flex\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-930feb06 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-36 post type-post status-publish format-standard hentry\">\n\n<div class=\"wp-block-group alignwide is-layout-constrained wp-block-group-is-layout-constrained\"><\/div>\n\n<\/li><\/ul><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-930feb06 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p class=\"wp-block-paragraph\">El primer n\u00famero de Comba se plantea como un di\u00e1logo entre distintas aproximaciones a la idea del sujeto confrontador del paisaje. Busca proponer varios acercamientos que, tanto en su proceso metodol\u00f3gico, en su modelo te\u00f3rico y en sus imaginarios ofrezcan una posibilidad de contemplar el paisaje, al acercarse o al alejarse de \u00e9l.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><strong>Meseta: <\/strong>Carla Marz\u00e1n; Miguel Rubio Tapia<br><strong>Laguna:<\/strong> Marina Gonz\u00e1lez Guerreiro<br><strong>Cabo:<\/strong> <em>1PX\/4KM<\/em> (2022) por Jaime Sebasti\u00e1n<br><strong>Domo:<\/strong> <em>Luna <\/em>por Manuel Minch<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/11\/Comba_primavera2022-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">DESCARGAR<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">COMBA: <em>Conjunto de campos<\/em>. \u00c1lvaro Porras y Sof\u00eda Alem\u00e1n (eds.). 2022, n\u00ba 00. Valencia: COMBA. ISSN: 2794-0799<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized wp-duotone-000000-ffffff-2\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistacomba.porrassoriano.com\/wp-content\/uploads\/2022\/10\/portada_00-725x1024.jpg\" alt=\"\" class=\"wp-image-138\" width=\"369\" height=\"521\" srcset=\"https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/portada_00-725x1024.jpg 725w, https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/portada_00-212x300.jpg 212w, https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/portada_00-768x1084.jpg 768w, https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/portada_00-1088x1536.jpg 1088w, https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/portada_00-1451x2048.jpg 1451w, https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/portada_00-scaled.jpg 1813w\" sizes=\"auto, (max-width: 369px) 100vw, 369px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized wp-duotone-000000-ffffff-3\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/revistacomba.porrassoriano.com\/wp-content\/uploads\/2022\/10\/Indice_00-725x1024.jpg\" alt=\"\" class=\"wp-image-137\" width=\"370\" height=\"523\" srcset=\"https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/Indice_00-725x1024.jpg 725w, https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/Indice_00-212x300.jpg 212w, https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/Indice_00-768x1084.jpg 768w, https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/Indice_00-1088x1536.jpg 1088w, https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/Indice_00-1451x2048.jpg 1451w, https:\/\/revistacomba.org\/wp-content\/uploads\/2022\/10\/Indice_00-scaled.jpg 1813w\" sizes=\"auto, (max-width: 370px) 100vw, 370px\" \/><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El primer n\u00famero de Comba se plantea como un di\u00e1logo entre distintas aproximaciones a la idea del sujeto confrontador del paisaje. Busca proponer varios acercamientos que, tanto en su proceso metodol\u00f3gico, en su modelo te\u00f3rico y en sus imaginarios ofrezcan una posibilidad de contemplar el paisaje, al acercarse o al alejarse de \u00e9l. Meseta: Carla [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_crdt_document":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-36","post","type-post","status-publish","format-standard","hentry"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistacomba.org\/index.php?rest_route=\/wp\/v2\/posts\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacomba.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacomba.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacomba.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacomba.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36"}],"version-history":[{"count":44,"href":"https:\/\/revistacomba.org\/index.php?rest_route=\/wp\/v2\/posts\/36\/revisions"}],"predecessor-version":[{"id":192,"href":"https:\/\/revistacomba.org\/index.php?rest_route=\/wp\/v2\/posts\/36\/revisions\/192"}],"wp:attachment":[{"href":"https:\/\/revistacomba.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacomba.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=36"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacomba.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}